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chris@betablonde.com ![]() |
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Chris Bregler is a Senior Director / Distinguished Scientist at Google DeepMind. He is leading teams in Information Quality, Media Integrity, DeepFakes, Cheapfakes, VFX Tech, AR/VR, Human Pose and Face Analysis & Synthesis with launches in Google Search, Ads, T&S, YouTube, DayDream, Photos, JigSaw, and other product areas. He received an Academy Award in the Oscars Science and Technology category. He has been named a Sloan Research Fellow, Stanford Joyce Faculty Fellow, and Terman Fellow. He was awarded the IEEE Longuet-Higgins Prize for "Fundamental Contributions in Computer Vision that have withstood the test of time", the DAGM Olympus Award for achievements in computer vision and pattern recognition, and numerous awards from the National Science Foundation, Sloan Foundation, Packard Foundation, Electronic Arts, Microsoft, Google, U.S. Navy, U.S. Airforce, IARPA, and other sources. Currently he also serves on DARPA ISAT (a group of National Security Experts). He was a Professor at New York University and Stanford University and has worked for several companies including Hewlett Packard, Interval Research, Disney Feature Animation, LucasFilm's ILM, Facebook's Oculus, and the New York Times. He's been the executive producer of squid-ball.com, which required building the world's largest real-time motion capture volume, and a massive multi-player motion game holding several world records in The Motion Capture Society. He has been active in the visual effects industry, for example, as the lead developer of ILM's Multitrack system that has been used in many feature film productions, including Avatar, Avengers, Noah, Star Trek, and Star Wars. He received his M.S. and Ph.D. in Computer Science from U.C. Berkeley and his Diplom from Karlsruhe University. |
Hey- I can also animate without computers. Check out this.
" [...good producers]
also need to be excellent plate-spinners, fire-eaters, and circus ring-masters,
with an inherent ability to herd cats." "The only way to get rid of temptation
is to yield to it." "The music business is a cruel and shallow money
trench, a long plastic hallway where thieves and
pimps run free, and good men die like dogs.
There's also a negative side."
"I now inhabit a life I don't deserve, but we all walk this earth feeling we are frauds. The trick is to be grateful and hope the caper doesn't end soon."
"I do not use story boards, I think it's an instrument of the cowards."
"I'd rather be a hypocrite than the same person forever."
Opening shot of Hearts of Darkness: A filmmaker's Apocalypse:
David Sproxton, Producer
Oscar Wilde
Hunter S. Thompson
David Carr
Werner Herzog
Ad-Rock
"My film is not a movie.
My film is not about Vietnam.
It IS Vietnam.
It is what it was really like.
It was crazy.
And the way we made it was very much like the Americans were in Vietnam.
We were in the jungle.
There were too many of us.
We had access to too much money …
too much equipment …
and little by little we went insane."
Francisco Coppola, Cannes Film Festival, 1979.